“We all fell for Jon [Leidecker, AKA Wobbly] during an unforgettable moment on the platform of the train station in rural Denmark as we stood beside him with other passengers and witnessed in awe as he and his hand-held electronics conducted an extensive conversation with the local crows. Suddenly all these birds flew in and surrounded him on the train platform and began singing with him.”
–Thurston Moore

The boom was fantastic, in a sense, but it puzzled us. We had intended to establish a free radio station, not to transmit a one-way performance that disregarded listeners as most stations did. During the boom, most mini-FM stations were able to communicate to a handful of people only. Many of these stations seemed to us be naively copying professional radio studio work. To the contrary, we paid attention to constant and serious listeners. We wanted to provide a community of people with alternative information on politics and social change.

The radio station that my students and I had started on the campus re-established itself in the centre of Tokyo when the students finished school in 1983. The new station was called Radio Home Run. Every day, from 8 PM to midnight, one or two groups aired talk or music programs. Themes depended on who was host and who were guests. The members always invited new guests who were involved in political or cultural activism. Also, listeners who lived close to the station hesitantly began to visit. To repeat the telephone number during each program was our basic policy. Guests sometimes recorded cassette tapes of our programs and let their friends listen. Radio Home Run quickly became a meeting place for students, activists, artists, workers, owners of small shops, local politicians, men, women and the elderly.

It is in this context that I gradually understood the meaning and potential of mini-FM. Radio could serve as a communication vehicle not for broadcast but for the individuals involved. Even if they have few listeners, these stations do work as catalysts to reorganize groups involved in mini-FM. Those who were familiar with conventional radio laughed at mini-FM because it had only a few listeners, listeners within walking distance of the station, and no consistent style. However, even if one overlooks the dramatic effect on society, one must admit that mini-FM has a powerful therapeutic function: an isolated person who sought companionship through radio happened to hear us and visited the mini-FM station; a shy person started to speak into the microphone; people who never used to be able to share ideas and values found a place for dialogue; an intimate couple discovered otherwise unknown fundamental misunderstandings. At that time nobody talked about such a psychotherapeutic function, however, given the number of people involved in mini-FM, it must have been understood unconsciously. Indeed, the 1980s in Japan saw the transition from conventional banzai collectivity to electronic individuality, where people needed different media and locations in which to replace traditional togetherness like eating and drinking with family and friends, in schools and workplace.