{"id":2353,"date":"2025-11-06T18:25:40","date_gmt":"2025-11-06T18:25:40","guid":{"rendered":"https:\/\/fourteenformsofmelancholy.com\/?p=2353"},"modified":"2025-11-06T18:25:40","modified_gmt":"2025-11-06T18:25:40","slug":"2353","status":"publish","type":"post","link":"https:\/\/fourteenformsofmelancholy.com\/?p=2353","title":{"rendered":""},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.soundonsound.com\/people\/autechre#top\">https:\/\/www.soundonsound.com\/people\/autechre#top<\/a><br><br>Booth has talked about &#8220;the idea of engineering being beautiful&#8221;, and when asked to elaborate he enthuses &#8220;Yeah, totally. I think we have a natural ability to recognise harmony and I think this exists as much within an engineering context as it does within music. Working in a studio is really no different than building a bridge from metal girders, isn&#8217;t it? Constructing harmony from a load of predefined frequencies is essentially no different. To me it&#8217;s all construction, building.&#8221;<\/p>\n\n\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bMzJpIYb5BM?si=XNynMEYSywoKzqZJ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CDMWn_s3fU8?si=wJVaZbViklBInk3_\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=d5Pwc9cKIn_UK_aw&amp;list=OLAK5uy_nSS1IAhl44o8y0sE2LoEHkX-C800E7q1Y\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YeFG3pNHbTs?si=33S0-3rjrY-vovne\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.soundonsound.com\/people\/autechre#top Booth has talked about &#8220;the idea of engineering being beautiful&#8221;, and when asked to elaborate he enthuses &#8220;Yeah, totally. I think we have a natural ability to recognise harmony and I think this exists as much within an engineering context as it does within music. Working in a studio is really no different than [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[9,11],"tags":[],"class_list":["post-2353","post","type-post","status-publish","format-standard","hentry","category-music","category-theory"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=\/wp\/v2\/posts\/2353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2353"}],"version-history":[{"count":1,"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=\/wp\/v2\/posts\/2353\/revisions"}],"predecessor-version":[{"id":2354,"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=\/wp\/v2\/posts\/2353\/revisions\/2354"}],"wp:attachment":[{"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fourteenformsofmelancholy.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}