Author Archives: d.perry

All the earth is a grave and nothing escapes it. Nothing is so perfect that it does not descend to its tomb. Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten to the vast realms of the rain god. As they widen their banks, they fashion the sad urn of their burial.

Nezahualcoyōtl (1431-72)

Leanne Betasamosake Simpson: Sometimes I think of the world as this network of relationships between humans and plants and animals and the natural world, spanning across time and space, and I think of my body as a hub in that algorithm, and that I’m made up of relationships, and I’m made up of communication and sometimes that’s physical and sometimes that’s spiritual, and sound is part of that.

And so sometimes I think songs are stories, sometimes they’re prayers, sometimes they’re ethics, sometimes they’re connectors, sometimes they’re healers, they have a power and it comes from a place that I don’t think that I can fully understand or articulate.

https://earwaveevent.org/article/discussion-with-leanne-simpson/
https://earwaveevent.org/article/discussion-with-raven-chacon/
whole magazine is really nice !!

two poems by Ariana Reines


Blue Palestine

Only one grass whistles out the tooth of my horse
And the moon drops fast behind the fences
And the wheat lolls back
And waits for death

I could see the sea from where I was
My mesh hat shone blue

The jagged cheek of Gibraltar
Solid, sucked in the mouth and never melting
Where my dog’s warm underleg soothes the whetstone
I speak of it thusly
I say it thusly
I lisp its name into the curl of wall stained dark in the impression of
        my mouth

Only one grass whistles out the tooth of my horse
And the moon bends back
And the wheat lolls back
And opens its stomach
And waits for death

I soak it in my black water
It seethes in bags I have hung up among the rafters
It seethes in bags of amber and jasper transfusions
Flower liquids in cellophane pouches
Streaked with goo clots of plastic soldier sun

When the pitcher is poured out the length of my tongue
And ten vats of grease ignite in unison

Only one grass whistles out the tooth of my horse
A too-tight phylactory
The moon bending back
The wheat lolling back
Scrollboxes clattering on the stone
Jugs of gasoline and jugs of sand

I threw my coat on the sea
The velvet sea
My coat spread
My coat spread
It was the blue of the top of the column of milk
Its soaked embroidery
It was the ditty two winds whined into the anus of night
Skating along the floor of the brook
Are leaves and ice. Devolving on the brook floor
It is only one little one. One blue shard of pale Palestine.
The wineskins are pricked
Goats’ udders banged sore
Where mica lodges in the mucus house

Where my velvet is sucked down
Where the cheek blows thick with sleep to be brushed by the sea
Blue Palestine
Wrung swan neck in oil
Tasseling dirty day with rocks that fly and fly and fall and fall and
        fall.

The moon bends back
And the wheat lolls back

A cracker whitens on the tongue of the hanged man
My velvet is sucked down the sea
The sea wall is chipped blue
The clock of Palestine
Gulls’ salt beaks
Iron drums soldered shut and stuffed with salt cod
An anvil of rammed earth in the form of a baby belly button
Hair raised on the hat of the imperatrix
Embossed forever in her brass annal

No grass screams against the foot of my horse
No rock whinnies down the side of the sea
No scroll staves off the reeds quivering in my rib wall
And no algaes quiver
And no frogs belch out the tablet over the song of my purchase of
        night
Blue Palestine
Red sucker bloody on the bib of the world
Blue Palestine
Ice tray soaked in solid sun

———————————————————————–

Beauty

            Je suis belle, ô mortels! comme un rêve de pierre
           (Baudelaire)

These poisoned sensations have to be
Accepted if they’re to be
Overcome. Looking
Up calories on my phone

Not that I’m counting 
Don’t even like numbers
It’s something vestigial
It comes in bad minutes

To teach my body something’s in control
Something little & unholy, wrong idea
Of information, chiseling a transparent minute
Into myself with the afterimage of a form

If I did this kind of thing
On the bigger machine it’d be
Worse. Worse
Things than this are bombing

The world. A terrible
Fate is coming to power tomorrow. I’m reading
The early poems of Sherman Alexie. Desolation
Of secular life. I remember the luxury of speculating

All mystical traditions grew up
In the souls of a disciplined few
Turned in on themselves while under
Occupation by tyrants. That was then. This

Morning I could see one comfort: to become rock
Hard. Could imagine one comfort:
To have become rock. I had no
Imagination. I had his. I had theirs. “Formalism

& grammar are ways to be thin…” masochism
Merely thought of, the idea of a calorie
Most boring way to feel womanly doing itself to me
This morning I was panicking, burning, I was desperate

Scanning the body of my bedfellow
Its beautiful cheeks & chin
& long smooth abdomen
My silence growing fat like an old fruit

Still making me sick
It makes me sick I longed
For the wrong thing
I longed for death. I dreamed of stone

sent by hand

19 January 2017

Two more poems by Denise Levertov


The Springtime

The red eyes of rabbits   
aren’t sad. No one passes
the sad golden village in a barge
any more. The sunset   
will leave it alone. If the   
curtains hang askew   
it is no one’s fault.
Around and around and around
everywhere the same sound   
of wheels going, and things   
growing older, growing   
silent. If the dogs
bark to each other
all night, and their eyes   
flash red, that’s
nobody’s business. They have   
a great space of dark to   
bark across. The rabbits   
will bare their teeth at   
the spring moon.

—————————————————————-

Seeing for a Moment

I thought I was growing wings—
it was a cocoon.

I thought, now is the time to step   
into the fire—
it was deep water.

Eschatology is a word I learned
as a child: the study of Last Things;

facing my mirror—no longer young,
         the news—always of death,
         the dogs—rising from sleep and clamoring   
                and howling, howling,

nevertheless
I see for a moment   
that’s not it: it is   
the First Things.

Word after word
floats through the glass.   
Towards me.

“Latin America in the 1950s, 1960s, and 1970s underwent a profound and often violent process of social change. From the Cuban Revolution to the massive guerrilla movements in Argentina, Uruguay, Peru, Colombia, and most of Central America, to the democratic socialist experiment of Salvador Allende in Chile, to the increased popularity of socialist oriented parties in Uruguay, or “socialist-leaning” movements, such as the Juventud Peronista in Argentina, the idea of a really possible social change was in the air.

Although this topic has been explored from a political and social point of view, there is an aspect that has remained fairly unexplored. The cultural, and especially musical dimension of this movement, so vital in order to comprehend the extent of its emotional appeal, has not been fully documented. Literally, people put constantly their lives at risk opposing authoritarian regimes and participating in rallies to support their political parties, all the while singing militant songs that gave them the courage to do so. “There is no revolution without songs” proclaimed the huge banner installed behind the stage where newly elected President Salvador Allende (surrounded by the most important members of “Nueva Canción Chilena”—Chilean New Song) first celebrated his electoral victory in 1970.”

from https://www.google.com/books/edition/The_Militant_Song_Movement_in_Latin_Amer/kAaLAwAAQBAJ?hl=en&gbpv=1&printsec=frontcover