Author Archives: d.perry

“…half sung and half spoken: “In the water, no, just look, deep, deep. It took a long time, long, so long. And you do not weep. If you knew, it’s so black and so muddy all around me. But look. A violet is growing from my mouth. It’s singing. Do you hear? Can you hear it? You might think I’d drowned. How lovely, so very lovely. Isn’t there a ditty about it? That Klara! Where is she now? Go looking for her, go look. But you’ll have to go into the water. That’ll make your skin crawl, won’t it? My skin no longer crawls. A violet. I can see the fish swimming. I am perfectly still, I no longer do anything at all. Be sweet, be kind. You look displeased. That’s where Klara is lying, right there. Do you see her, do you? I’d wanted to say something else to you, but I am content. What did I want to say? A little bell. I always knew. But don’t say so. I can’t hear anything any more. Please, please—”

The Tanners (by Robert Walser)

Each new arrival is either a disturber of the peace and environment and/or a business opportunity. While many stay for lifetimes, death only confirms the transience of their stay.

-Bill Appell

I wonder a lot of things about Lewis really. Remember when Light in the Attic found him? Someone commented: “He would pull up outside in a white Porsche and wander in wearing a dapper suit like on his album cover. Had a few chats with him and he mentioned he made music and how a woman took all his money from him at some point.” That’s where that quivering pain comes from, you can hear it! And he didn’t even want any of the profits from the reissues. “I’m not looking into coin. I’m not looking into anything. I’m just strumming my guitar. I just wish you guys all the best in the world.”

“Coil utilized techniques such as the cut-up technique, ritual drug use, sleep deprivation, lucid dreaming, granular synthesis, tidal shifts, John Dee-like methods of scrying, instrument glitches, SETI synchronization and chaos theory.”

The (ca. 100 CE) Chinese pharmacopeia Shennong Ben Cao Jing (Shennong’s Classic of Materia Medica) described the use of mafen 麻蕡 “cannabis fruit/seeds”:

To take much makes people see demons and throw themselves about like maniacs (多食令人見鬼狂走). But if one takes it over a long period of time one can communicate with the spirits, and one’s body becomes light (久服通神明輕身).

Our civilization is doomed to a short life: its component parts are too heterogeneous. I personally am content to see everything in the process of decay. The bigger the bombs, the quicker it will be done. Life is visually too hideous for one to make the attempt to preserve it. Let it go. Perhaps some day another form of life will come along. Either way, it is of no consequence. At the same time, I am still a part of life, and I am bound by this to protect myself to whatever extent I am able. And so I am here.

– Paul Bowles, Pages from Cold Point

Lou Reed’s famous maxim—“One chord is fine. Two chords is pushing it. Three chords and you’re into jazz.”

The city is the place that shifts desire
towards purposes sought after by
the city itself, unknown as of yet to observers.

The perspicacity of a dazed
tenacity lilting towards hunger,
the body takes over.

Win a meadow.
Win a million.
Out the window staring
at a hill, in season.

Tips on how to push past raw
into the place of one hundred beaches.
Shore always at once arriving and depleting.


I have arrived at that day of the fateful meeting.
Eyes scan the horizon but no sign gleams there.
Seagulls sobbing like angels
weeping through deserted season
after deserted season diverting away
from a crystalline moment
you feel for that one-in-a-million,
picked from the ocean of fishes
to be your jewel in this realm of nothing
as if anything could fill the ever-
widening gap between possibility
and what is now real actual everyday reality.


An age for an era gone like smoke disappearing
minutes after the audience has stopped clapping
and the stage is still crowded with gear.