Category Archives: lit

‘I’m consistently impressed by the haiku-like compression in your lyrics and poetry. I have this theory that a complex experience can be packed into just a few carefully chosen words and slipped under the door to the reader, who can then unpack the phrase and get the full experience of the writer on the other side. For example, the line, “An anchor lets you see the river move,” from “How to Rent a Room.” I’ve spent hours thinking about all the implications of that line, many of which I imagine occurred to you when you wrote it. What technique is involved in achieving such compression?

Berman: First you have to write a lot of sentences. Then you’ve got to switch to the other side and become the reader. Be hard on yourself. Take out those things that don’t advance the cause even if you’re fond of them. Then again and again. Allen Ginsburg was wrong about a lot of things, but especially when he said, “First thought, best thought.”‘

The Haunted Oak by Paul Laurence Dunbar

Pray why are you so bare, so bare,
   Oh, bough of the old oak-tree;
And why, when I go through the shade you throw,
   Runs a shudder over me?

My leaves were green as the best, I trow,
   And sap ran free in my veins,
But I saw in the moonlight dim and weird
   A guiltless victim’s pains.

I bent me down to hear his sigh;
   I shook with his gurgling moan,
And I trembled sore when they rode away,
   And left him here alone.

They’d charged him with the old, old crime,
   And set him fast in jail:
Oh, why does the dog howl all night long,
   And why does the night wind wail?

He prayed his prayer and he swore his oath,
   And he raised his hand to the sky;
But the beat of hoofs smote on his ear,
   And the steady tread drew nigh.

Who is it rides by night, by night,
   Over the moonlit road?
And what is the spur that keeps the pace,
   What is the galling goad?

And now they beat at the prison door,
   “Ho, keeper, do not stay!
We are friends of him whom you hold within,
   And we fain would take him away

“From those who ride fast on our heels
   With mind to do him wrong;
They have no care for his innocence,
   And the rope they bear is long.”

They have fooled the jailer with lying words,
   They have fooled the man with lies;
The bolts unbar, the locks are drawn,
   And the great door open flies.

Now they have taken him from the jail,
   And hard and fast they ride,
And the leader laughs low down in his throat,
   As they halt my trunk beside.

Oh, the judge, he wore a mask of black,
   And the doctor one of white,
And the minister, with his oldest son,
   Was curiously bedight.

Oh, foolish man, why weep you now?
   ‘Tis but a little space,
And the time will come when these shall dread
   The mem’ry of your face.

I feel the rope against my bark,
   And the weight of him in my grain,
I feel in the throe of his final woe
   The touch of my own last pain.

And never more shall leaves come forth
   On the bough that bears the ban;
I am burned with dread, I am dried and dead,
   From the curse of a guiltless man.

And ever the judge rides by, rides by,
   And goes to hunt the deer,
And ever another rides his soul
   In the guise of a mortal fear.

And ever the man he rides me hard,
   And never a night stays he;
For I feel his curse as a haunted bough,
   On the trunk of a haunted tree.

Charles Potts – The Hermiston Horse Sale

Standing in front of steel stud pens
A man and his son from Elkland, Missouri
Inquire about the bloodlines of my horses.

Preliminary to flashing me
His holier than thou card
The father says with grey beard earnestness,
“May I ask where you worship?”

Up to my knees
In horseshit and Christians I reply,
“Right here where I’m standing.”

“If I could believe that I should grow old in pursuit and change, I should be rid of my fear: nothing persists. One moment does not lead to another. The door opens and the tiger leaps.”

-Rhoda, from The Waves by Virginia Woolf

‘Other trends that Pinker invokes include the spread of literacy, which, he argues, led to an expanding “circle of empathy.”‘

Dorothea Lasky Ars Poetica

I wanted to tell the veterinary assistant about the cat video Jason sent me
But I resisted for fear she’d think it strange
I am very lonely
Yesterday my boyfriend called me, drunk again
And interspersed between ringing tears and clinginess
He screamed at me with a kind of bitterness
No other human had before to my ears
And told me that I was no good
Well maybe he didn’t mean that
But that is what I heard
When he told me my life was not worthwhile
And my life’s work the work of the elite.
I say I want to save the world but really
I want to write poems all day
I want to rise, write poems, go to sleep,
Write poems in my sleep
Make my dreams poems
Make my body a poem with beautiful clothes
I want my face to be a poem
I have just learned how to apply
Eyeliner to the corners of my eyes to make them appear wide
There is a romantic abandon in me always
I want to feel the dread for others
I can feel it through song
Only through song am I able to sum up so many words into a few
Like when he said I am no good
I am no good
Goodness is not the point anymore
Holding on to things
Now that’s the point

A discounted sundown / Purchases parched grassland

I feel like a light dimming,
a pot cooling to simmer in an empty kitchen.
A widening gap erodes
that deals in missing.
My petrifying instinct
reaches unthinking for something
that has long since passed on.
A mirage of the possible that didn’t happen.
A bastion of hope that again it happens.
A dwindling passion to even
perform the basic task of existing

Barry Hannah Story

I was sitting radar. Actually doing nothing.

We had been up to seventy-five thousand to give the afternoon some jazz. I guess we were still in Mexico, coming into Mirimar eventually in the F-14. It doesn’t much matter after you’ve seen the curvature of the earth. For a while, nothing much matters at all. We’d had three sunsets already. I guess it’s what you’d call really living the day.

But then, “John,” said I, “this plane’s on fire.”

“I know it,” he said.

John was sort of short and angry about it.

“You thought of last-minute things any?” said I.

“Yeah. I ran out of a couple of things already. But they were cold, like. They didn’t catch the moment. Bad writing,” said John.

“You had the advantage. You’ve been knowing,” said I.

“Yeah. I was going to get a leap on you. I was going to smoke you. Everything you said, it wasn’t going to be good enough,” said he.

“But it’s not like that,” said I. “Is it?”

He said, “Nah. I got nothing, really.”

The wings were turning red. I guess you’d call it red. It was a shade against dark blue that was mystical flamingo, very spaceylike, like living blood. Was the plane bleeding?

“You have a good time in Peru?” said I.

“Not really,” said John. “I got something to tell you. I haven’t had a ‘good time’ in a long time. There’s something between me and a good time since, I don’t know, since I was was twenty-eight or like that. I’ve seen a lot, but you know I haven’t quite seen it. Like somebody’s seen it already. It wasn’t fresh. There were eyes that used it up some.”

“Even high in Mérida?” said I.

“Even,” said John.

“Even Greenland?” said I.

John said, “Yes. Even Greenland. It’s fresh, but it’s not fresh. There are footsteps in the snow.”

“Maybe,” said I, “you think about in Mississippi when it snows, when you’re a kid. And you’re the first up and there’s been nobody in the snow, no footsteps.”

“Shut up,” said John.

“Look, are we getting into a fight here at the moment of death? We going to mix it up with the plane’s on fire?”

“Shut up! Shut up!” Said John. Yelled John.

“What’s wrong?” said I.

He wouldn’t say anything. He wouldn’t budge at the controls. We might burn but we were going to hold level. We weren’t seeking the earth at all.

“What is it, John?” said I.

John said, “You son of a bitch, that was mine—that snow in Mississippi. Now it’s all shot to shit.”

The paper from his kneepad was flying all over the cockpit, and I could see his hand flapping up and down with the pencil in it, angry.

“It was mine, mine, you rotten cocksucker! You see what I mean?”

The little pages hung up on the top, and you could see the big moon just past them.

“Eject! Save your ass!” said John.

But I said, “What about you, John?”

John said, “I’m staying. Just let me have that one, will you?”

“But you can’t,” said I.

But he did.

Celeste and I visit the burn on the blond sand under one of those black romantic worthless mountains five miles or so out from Mirimar base.

I am a lieutenant commander in the reserve now. But to be frank, it shakes me a bit even to run a Skyhawk up to Malibu and back.

Celeste and I squat in the sand and say nothing as we look at the burn. They got all the metal away.

I don’t know what Celeste is saying or thinking, I am so absorbed myself and paralyzed.

I know I am looking at John’s damned triumph.

His Poem