Category Archives: fourteen forms of melancholy

Each new arrival is either a disturber of the peace and environment and/or a business opportunity. While many stay for lifetimes, death only confirms the transience of their stay.

-Bill Appell

The (ca. 100 CE) Chinese pharmacopeia Shennong Ben Cao Jing (Shennong’s Classic of Materia Medica) described the use of mafen 麻蕡 “cannabis fruit/seeds”:

To take much makes people see demons and throw themselves about like maniacs (多食令人見鬼狂走). But if one takes it over a long period of time one can communicate with the spirits, and one’s body becomes light (久服通神明輕身).

“The flesh surrenders itself. Eternity takes back its own. Our bodies stirred these waters briefly, danced with a certain intoxication before the love of life and self, dealt with a few strange ideas, then submitted to the instruments of time. What can we say of this? I occurred. I am not…yet, I occurred.”

While the number of visitors to America’s national parks and recreation areas is increasing each year, the amount of time each visitor spends at the attraction is in decline. The average visit to Yosemite lasts just under five hours, visitors stay for just under two hours in Saguaro National Park in Arizona, and at the Grand Canyon National Park, most visitors spend just 17 minutes looking at the magnificent landscape (Bernstein; de Graaf). In Yosemite National Park many visitors “simply rolled by slowly in their cars, taking photos out the windows” (de Graaf np).

Ole Worm

“Other empirical investigations he conducted included providing convincing evidence that lemmings were rodents and not, as some thought, spontaneously generated by the air (Worm 1655, p. 327), and also by providing the first detailed drawing of a bird-of-paradise proving that they did, despite much popular speculation to the opposite, indeed have feet like regular birds.”

“what does ‘together’ signify in a socioeconomic system so efficient in producing alienation and isolation?

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In order to be heard, Pettman remarks, and “in order to be considered a voice at all”, and therefore as “something worth heeding”, the vox mundi “must arrive intimately, or else it is experienced as noise or static” (Pettman 83). In both the projects discussed here—Saturday and Walk That Sound—the walkie-talkie provides this means of “intimate arrival”.

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the rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. This creates an odd consonance between internal and external passage, one that suggests that the mind is also a landscape of sorts and that walking is one way to traverse it. (5-6)

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I felt strangely attached to, and disconnected from, those pathways: lanes where I had rummaged for conkers; streets my grandparents had once lived and worked on; railways demolished because of roads which now existed, leaving only long, straight pathways through overgrown countryside suffused with time and memory. The oddness I felt might be an effect of what Wood describes as a “certain doubleness”, “where homesickness is a kind of longing for Britain and an irritation with Britain: sickness for and sickness of” (93-94).

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as a literary structure, the recounted walk encourages digression and association, in contrast to the stricter form of a discourse or the chronological progression of a biographical or historical narrative […] James Joyce and Virginia Woolf would, in trying to describe the workings of the mind, develop of style called stream of consciousness. In their novels Ulysses and Mrs Dalloway, the jumble of thoughts and recollections of their protagonists unfolds best during walks. This kind of unstructured, associative thinking is the kind most often connected to walking, and it suggests walking as not an analytical but an improvisational act. (21)

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Sophie Cunningham says that we walk to get from one place to the next, but also to insist that “what lies between our point of departure and our destination is important. We create connection. We pay attention to detail, and these details plant us firmly in the day, in the present” (Cunningham).

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homelooseness

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excerpts (from https://journal.media-culture.org.au/index.php/mcjournal/article/view/1581 and elsewhere)

‘Do you not know that there comes a midnight hour when everyone has to throw off his mask? / Do you believe that life will always let itself be mocked? / Do you think you can slip away a little before midnight in order to avoid this?’, written by Søren Kierkegaard in 1843.